Articles – Reviews – Interviews – Booklets – Translations

Articles

Right Hand Position in Renaissance Lute Technique, “Journal of the Lute Society of America”, Volume XII (1979), pp. 5-24.

Notes on Fantasia Graegorii, “Newsletter of the Lute Society of America”, Volume XIV (April 1979), p. 10.

Michelagnolo Galilei “Newsletter of the Lute Society of America”, Volume XV (Feb. 1980), p. 5.

The Quito Vihuela Revisited – introduction, “Newsletter of the Lute Society of America”, Volume XVI (Feb. 1981), p. 12.

Travel notes, “Newsletter of the Lute Society of America”, Volume XVI (1981), pp. 4-5.

Pietro Paolo Melii, “Newsletter of the Lute Society of America”, Volume XVII-XVIII (Nov. 1982-Feb.1983), pp. 16-17.

Un madrigale in esame, in “Bollettino della Società Italiana del Liuto”, N. 2, April 1994, pp. 11-15.

Some Observations on the Music of Lorenzino and the Knight of the Lute, “Journal of the Lute Society of America”, Volume XXXVIII (2005)

Francesco da Milano and Perino Fiorentino, “Lute Society of America Quarterly”, Volume XLIII, nr. 2 (April 2008)

Some Remarks on the Seven-Course Lute Music in the Siena Manuscript, “Lute Society of America Quarterly”, Volume XLIV, nr. 2 (May 2009)

Michelangelo Galilei and Esaias Reusner, “Lute Society of America Quarterly”, Volune XLVI, nr. 2 (Summer 2011)

Esaias Reusner, Musicalische Taffel-Erlustigung, Introduzione di Paul Beier, Edizioni Pian & Forte (2013) P&F 0086.

Intabulating Madrigals with BeierTab, “Lute Society of America Quarterly”, Volume L, no. 4 (Winter 2015)

Arcana of Right-Hand Fingering in the Early 16th Century, “Lute Society of America Quarterly”, Volume LIII, no. 1 (Spring 2018)

Reviews

Review of: Diana Poulton, A tutor for the Renaissance Lute, “Journal of the Lute Society of America”, Volume XXII (1989), pp. 60-63.

Review of: Kevin Mason, The chitarrone and its repertoire in early seventeenth-century Italy, in “Bollettino della Società Italiana del Liuto”, Volume 1, June 1991, pp. 12-14.

Review of: Kevin Mason, The chitarrone and its repertoire in early seventeenth-century Italy, in “The Lute”, Volume XXXII (1992), pp. 84-87..

Review of: Diana Poulton, A tutor for the Renaissance Lute in “Bollettino della Società Italiana del Liuto”, Volume 4, May 1992, pp.12-14.

Interviews

Olga Voltri, Un Americano in Italia, “Jupiter” Anno VI no. 10 (June 2002)

Giovanni Tasso, Intervista del Mese, “CD Classics” Anno 3 no. 28 (May 2003)

Giorgio Ferraris, Intervista a Paul Beier, “Il Fronimo” Anno 31 no. 123 (July-September 2003)

Kenneth Bé, An Interview with Lutenist Paul Beier, “Lute Society of America Quarterly” Volume XXXIX no. 2 (May 2004)

CD Booklets

Booklet notes: Michelagnolo Galilei, Nuova Era 6869 (1989)

Booklet notes: Laurencinus Romanus, Stradivarius STR 33447 (1996)

Booklet notes (with Mariagrazia Carlone): Giovanni Antonio Terzi, Stradivarius STR 33590 (2002)

Booklet notes: Sylvius Leopold Weiss, Stradivarius STR 33731(2005)

Booklet notes: Quanta Beltà, Stradivarius STR 33787 (2007)

Booklet notes (with Mariagrazia Carlone): Con Gratia et Maniera, Stradivarius STR 33822 (2009)

Booklet notes: Esaias Reusner Vol. 1, Stradivarius STR 33867 (2010)

Booklet notes: Like as the lute delights, Stradivarius STR 33903 (2013)

Booklet notes: Esaias Reusner Vol. 2, Stradivarius STR 33994 (2014)

Booklet notes: In Darkness, Stradivarius STR 33914 (2015).

Booklet notes: J.S. Bach, French Suites, Stradivarius STR 37082 (2016).

Translations

Dinko Fabris, A Toccata by Leonardo Leo, “LSA Newsletter”, August 1983

Dinko Fabris, Musical Iconography in Italy, “RIdIM Newsletter” IX/2, Fall 1984

Francesca Torelli, Pietro Paolo Melii, Musician of Reggio Emilia, “Journal of the Lute Society of America”, XVII, 1984

Franco Pavan, Francesco Canova and his Family in Milan: New Documents, “Journal of the Lute Society of America”, XXIV, 1991

Dinko Fabris, “Lute Tablature Instructions in Italy”, in Performance on Lute Guitar and Vihuela, ed. V.A. Coelho, Cambridge Univ. Press, 1997

Mariagrazia Carlone, Conference Review. ‘Il Divino Francesco nell’Italia Rinascimentale’: International Symposium on the 500th Anniversary of the Birth of Francesco da Milano, “Journal of the Lute Society of America” XXVI-XXVII 1998

Mariagrazia Carlone, Gaudenzio Ferrari and the Musical Statues in Varallo, “Music in Art – International Journal for Music Iconography” XXIV/1-2, 1999

Mariagrazia Carlone, Images of Lutenists in the Italian Cinquecento,”Luths et Luthistes en Occident. Actes du Colloque organisé par la Cité de la Musique”, Paris. Cité de la Musique 1999

Mariagrazia Carlone, Copies, Replicas and Variations in Paintings with a Musical Subject, “Music in Art – International Journal for Music Iconography” XXVI/1-2, Spring-Fall 2001

Mariagrazia Carlone, New Biographical Information on Francesco da Milano, “Recercare” XIII, 2001

Mariagrazia Carlone, The Portrait of a Lutenist by Giulio Campi in the Museo Civico, Como: An Inquiry, “Images of Musical Performance: Essays on Art and Music in the Early Modern period”, ed. K. Mc Iver, Ashgate 2003

Mariagrazia Carlone, Portraits of Lutenists, “Music in Art – International Journal for Music Iconography” XXIX/1-2, 2004

Mariagrazia Carlone, The Knights of the Lute, “Journal of the Lute Society of America” vol. XXXVII, 2004 – vol. XXXVIII, 2005

Mariagrazia Carlone, Lutes, Archlutes, Theorboes in Iconography, “Music in Art – International Journal for Music Iconography” XXX, 2005

Mariagrazia Carlone, A Lost Fresco by Gaudenzio Ferrari, “Music in Art – International Journal for Music Iconography” XXX, 2005

Mariagrazia Carlone, A Trip to Venice in 1530 by Francesco da Milano,”Journal of the Lute Society of America” XXXVIII, 2005

Mariagrazia Carlone, Blessed ruins! Or rather: what utility for the study of iconography can a ruined art-work have? “Liuteria Musica Cultura” n.1, 2006

Mariagrazia Carlone, A Player of the Lyre and the Lute – Notes regarding some works by Gaudenzio Ferrari, “Liuteria Musica Cultura” 1/2 2007

Mariagrazia Carlone, Notes from the Archives. Music and musicians in documents of the State Archive of Milan, “Liuteria Musica Cultura” 1/2009

Francesco Gasparini, Cantate Da Camera Opera Prima, Introduzione di Alessandro Borin, Edizioni Pian & Forte, 2013, P&F 0001.

Giuseppe Fabbrini, Sinfonia, Introduzione di Antonio Carlini, Edizioni Pian & Forte, 2013, P&F 0002.

Giuseppe Gonelli, Nisi Dominus, Introduzione di Lorenzo Ghielmi, Edizioni Pian & Forte, 2013, P&F 0014.

Thomas Augustine Arne, VII Sonatas For Two Violins With A Thorough Bass, Introduzione di Ursula San Cristóbal, Edizioni Pian & Forte, 2013, P&F 0019.

Barbara Strozzi, Diporti Di Euterpe, Introduzione di Roberto Balconi, Edizioni Pian & Forte, 2013, P&F 0056.

Leopold I, Laudate Dominum, Introduzione di Antonio Carlini,  Edizioni Pian & Forte, 2013, P&F 0063.

The Introductions to La Fortuna, “Lute Society of America Quarterly”, Volume L, no. 3 (Fall 2015)

Johann Gottlieb Goldberg, 2 Trii, Introduzione di Amaya Fernández Pozuelo, Edizioni Pian & Forte, 2017, P&F 0072.

Antonio Veracini, Sonate Da Camera Opera Seconda, Introduzione di Carlo De Martini, Edizioni Pian & Forte, 2018, P&F 0107.

Lodovico Ferronati, Sonate Opera Prima, Introduzione di Giorgio Fava, Edizioni Pian & Forte, 2018, P&F 0122.